
if you click on The Clown Travel Agency as of April 1, you will get the next trailer for The Dark Knight. or at least that is the current thinking, it could be a practical joke, mindful of the date!
most of the shadows of this life are caused by our standing in our own sunshine.

wow, somebody up there likes me! i by chance saw a newspaper article on a vinyl store. a vinyl store not only in SA, but one that is (more or less) within walking distance from our house!!
there were thousands of records i could have purchased (well, hundreds) but i limited myself to a couple of great finds - a picture disc 12" of Frankie's The Power Of Love, and the 12" of Sally Cinnamon by The Stone Roses. well, OK, 4 or 5 others, but those two are the standout example of the quality available there.


















this, believe it or not dear readers, is your friend and humble narrator some 30 (!!) years ago! i guess there is a trend in our family to have a thing for The Dark Knight, as i was clearly a Batman fan too, just like James is!!

Porridge actor Brian Wilde has died at the age of 86, it was confirmed today.


British science fiction writer Sir Arthur C Clarke has died in Sri Lanka at the age of 90.
In the 1940s, he maintained man would reach the moon by the year 2000, an idea dismissed at the time. 
yes, all these new ways of listening to music are better quality wise in regards of an old slab of 12" of music, but does that make it a better experience? are we any better off listening to anything new in isolation, via headphones or in the car, as opposed to gathering around and hearing the crackling of the needle as it hits the groove?
going back to the thrust of my argument, however, proof of the truth of what i am saying is in the alarming closure of modern music magazines. Smash Hits, the king of fun and entertaining pop stories and interviews, closed a couple of years ago. equally as disturbing is the rumour that will not go away - NME, the voice of new, alternative and interesting music, is on the verge of ending publication too.
it is rather telling that the nature of those music magazines which appear to be still going strong, and here i think of things like Q, Uncut and Mojo, is to look towards the past and concentrate on classic icons of rock and pop, giving little space of note to any new bands. and i do not blame them - why not look back to a time when artists would book a concorde so that they could play England and New York on the same day, or blow all their money on jets, yachts and trout farms when today's equivalents are the tiresome exploits of the likes of W(h)inehouse, Doherty and the Arctic Monkeys? in regards of the first two, the mind boggles as to how they got any sort of record deal (no it doesn't, they are cheap and create their own dull publicity), and as for the latter, well, if your claim to fame is that you released your stuff all over the internet to such an extent that you get Gordon Brown name checking you, you have got lucky doing something that anyone could do. the whole point of music is that only a certain type of person can and could do it.

The tiny human-like bones found on a South Pacific Island may have belonged to small furry creatures known as 'Ewoks', and not Hobbits as previously thought.
my, that insight into the album feels a touch bloated! ho hum, let me try and go through some of the highlights. that said, however, there's really no need for me to comment on the two singles that became hits from this, Kayleigh and Lavender. except to say that yes, that slice of trivia is true - the name "Kayleigh" did not exist until such time as Fish combined the names of two ex's for the story he sings in this song.
the man they call Fish tends to get a lot of credit for this album, but that's rather unfair on the talented band that is Marillion. granted, Fish is your narrator here, and it does seem to be the story of Fish for the most part, but the whole thing would not have worked had it not been a whole band effort. on that note; Steve Rothery, Mark Kelly, Peter Trewavas and Ian Mosley, your work here was first class. and of course thanks to Robert Mead for posing for the iconic artwork, and nice one Mark Wilkinson for creating the artwork.
is there a flaw with Misplaced Childhood at all? well, sadly kind of, as it appears it was never captured live. i have only heard the official live version on the double live album La Gazza Ladra, and quite frankly it is a bit of a mess. it does not help that it's not a one off recording - the whole of Misplaced Childhood has been assembled from at least two, possibly three different shows. the recording does, however, reveal that they tried to perform the album "as is" on stage; that is they did not adapt it to a live medium, much like The Who rather successfully did when presenting Tommy at gigs. a small gripe, but there you go. ahem, if anyone knows of any good live recordings of Misplaced Childhood, official or otherwise, let me know!