tradition does indeed dictate that today, July 1, is a celebration of The Stone Roses here on this blog. if you were to ask why, well, that's the date i, my now former (yet still considerably) better half and some dear friends saw them at Heaton Park. way back in 2012, look you see, which does and does not feel like fourteen (14) years ago.
rather than the usual fawning over them, or (more frequently) stating that "there's not much else i can write about it all", events between the last post on this and the one here have dictated what to write. by this i of course mean that we, the world, have lost Mani. none of the grief or sadness we feel, to state the obvious, compares to the heartbreak of his family and dear friends. mindful, of course, that it is not a contest or thing to be "the most of".
my original intention was to call this something along the lines of why we grieve for those that we did not know, but hey, Bowie (slight mis-) quote is always going to win. also i don't have the answers to you for that one. some ideas, thoughts, theoretical ideas perhaps, which (but of course) i will throw out here. perhaps they will make sense to someone; probably not.
but first Mani. if you are here via a "google" thing looking for gossip, rumours or such, you may as well leave now. i have absolutely no idea on the nature of his passing, only that it happened. my honest first reaction to the news was "but that's simply not possible", which was exactly the same ten years ago when we lost Bowie, and then Prince. of all the comments made when Bowie past the one which has resonated me with the most was another fan, anonymous, who when asked about it just went quiet and then eventually offered "it didn't occur to me that he could die".
exactly why was Mani loved, held so dear? a lot of it is, of course, his music. yes, some journalist somewhere will have kicked off an era of mourning describing him as "the best and most important bass player of all time", which he would have responded with a list of players he considered superior. still, man, that bass of his. everyone gets drawn to something, i think the "sell" for me with The Stone Roses was always his bass, be in the ingenious Taxman off of The Beatles played backwards for I Am The Resurrection or that most amazing bass ever on Fools Gold.
ostensibly one could describe The Stone Roses as a band in possession of all the talent, artistic gift and quality to be the biggest band in the world but ultimately simply couldn't be @r$ed with it all. still, they remain hugely important for what they did do for many of us. in terms of the love for Mani, well, he was generally seen, or regarded, as the "most approachable" of the band, the one more open to any conversation you would care to have with him. for all the mythology, legend and tales of why The Stone Roses fell apart he was always direct, candid and honest about it, saying it was "four very different people doing four very different kind of drugs", making clear not so much that it was obviously not going to last but more wonder that it lasted at all.
famously, or if you will infamously, when (in the words of the band after the fact) the "wheels fell off" the band, he joined Primal Scream. yes, made more albums with them and was in that band longer than he was in The Stone Roses. to illustrate either his humour or philosophy (if not both), when these "facts" were put to him was always "also, interestingly, I have been in Primal Scream longer than and done more albums with them than i did The Beatles".
going to the "wider context" here and it is a folly to think that "outpouring of grief" is a fairly new phenomenon, existing only in this "social media" era. not quite true. back in the 80s is was pretty standard for any "famous death" to make the news. oddly i can remember more than once it being the passing of someone who was only really widely known for being in one episode of Fawlty Towers that made such news coverage. such is how we feel sad when someone who has made life better leaves us.
perhaps if we were a more "enlightened" society (and it is a surprise, for all our history, that we are not) then news of the passing of some minstrel that made music, someone who was good at dressing up and pretending to be someone or someone who was better than average at kicking a ball, would just get a brief mention. instead, medical professionals that keep us alive, teachers who spread knowledge and more importantly every mother in the world would be the ones we held in the highest esteem, those we grieved the most for. such is not the world we have created, though.
yet, ultimately, i "get" it. those famous people who have passed are essentially poets in the purest sense, for whatever their art is that they have shared with the world it has infected minds and seeped into hearts. to variations of extent all art is an attempt to understand, or make some sense, of the incomprehensible human condition, to grasp an idea of why we have that will to live, what makes us feel and so on. but someone a good deal cleverer than me can probably word it better.
not entirely sure (and far from convinced) i have worded this all proper and as intended, but who knows, someone out there may get the idea. ultimately, it's natural and understandable to feel a sense of loss when someone who has made your life better passes away. what they did that touched you so shall remain in the world long after we have all gone.
one generation under the same groove.
who is and who isn't, who is and who isn't







































